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Yet Another One? History Channel’s Knightfall

About a decade ago, Dan Brown’s super popular The Da Vinci Code launched (or perhaps just made evident) a tidal wave of historical conspiracy media, and no subject received more attention than the Knights Templar. From countless books to inclusion as the villainous secret organization of Assassin’s Creed fame, the Templars’ mysterious origins and dramatic fall from grace have inspired authors the world over. At first, I was wary of this trend when I heard that the History Channel’s first new show in the style of their wildly successful Vikings would be a Templar drama known as Knightfall. To make matters worse, the show would take place in precisely the era most favored by conspiracy theorists (the final collapse of the crusader states and persecution of the order, 15 years later). While Game of Thrones or Vikings it is not, Knightfall did manage catch my interest and entertain me through its campy drama and ringing pronouncements of medieval faith.... Read More
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Not all Fantasy: Game of Thrones and its Historical Inspiration

As has been written elsewhere, George R. R. Martin took inspiration for his epic fantasy from the history of England, particularly the War of the Roses, a contest for the throne of England in the late medieval era that pitted the northern York family against the southern Lancasters for control of England’s throne. However, his wider world of Essos and Westeros is inspired by human history as well. Today, I’m going to examine the historical inspirations for the Valyrian Freehold, or just Valyria, the dragon-taming empire that controlled much of Essos and whence the Targaryen family came to build Dragonstone in the Narrow Sea centuries before Aegon the Conqueror and his sister-queens conquered the Seven Kingdoms.... Read More
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Definitely Not the Poem: Wolfgang Peterson’s Troy

I positively love the movie Troy. This will be sacrilege to many people, including my high school Latin teacher. Some find its characters and story too overblown or campy, while for adherents of Homer and his classical epics, the movie is a travesty that bears only the most topical similarity to the Iliad. I can’t argue either of these points (though I might temper the first), but I find this film incredibly captivating in spite, and in many cases because, of them.... Read More